best eames lounge chair original

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EAMES LOUNGE CHAIR

Both the chair and ottoman are hand-assembled with great attention paid to the details. Shells are 7-ply veneers. Cushions are individually upholstered and replaceable; back cushions are interchangeable. The back braces and bases—of both the chair and ottoman—are die-cast aluminum. The chair base has a built-in swivel mechanism. Shock mounts are resilient natural rubber. Stainless steel glides are adjustable. The new MCL Leather provides much of the softness and “sink-into-it-iveness” of the original, along with durability and color-fastness. The oiled finishes, while requiring periodic maintenance, produce the rich, lustrous look of the original veneers.

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The Eames Lounge Chair debuted on the Arlene Francis Home show broadcast on the NBC television network in the USA in 1956. Immediately following this, Herman Miller launched an advertising campaign that highlighted the versatility of the chair.

This modern take on a 19th century club chair has endured for almost 60 years now and has become one of the most significant furniture designs of the modern era. A Playboy article on Modern Design explained that this chair “sank the sitter into a voluptuous luxury that few mortals since Nero have known.”

Early pieces used Brazilian rosewood veneer for the molded plywood, but the embargo and subsequent classification as a highly endangered species forced Herman Miller to switch to palisander rosewood veneer, which can be sustainably harvested.  While aniline leather was originally used, the company started using contract-grade leather, which was more durable and colour-fast.  They recently started using MCL leather, which reproduces the softness and feel of the original aniline leather, but with the durability of contract-grade leather.

This set looks at ease in any decor, from a trendy modern loft to a minimalist office to a Victorian salon. An ode to conspicuous consumption in a sense, with the set starting at $4,499, going up to $5,449 depending on the veneer and leather selection, this is the utmost perfect, and ageless, addition to your personal space.

Eames Lounge Chair-1956

The Eames Lounge Chair and Ottoman have their origin in Charles and Ray s investigations into moulding plywood and a desire to improve upon a familiar fixture in many living rooms: the Lounge Chair. Citing the English club chair as inspiration, Charles said he sought to design a modern version of that chair, one that had “the warm receptive look of a well-used first baseman s mitt.”

As Charles and Ray s home provided the backdrop for the couple s gracious hosting of a famously eclectic group of friends and associates, providing “a special refuge from the strains of modern living,” so too the Lounge Chair and Ottoman were conceived to provide welcoming comfort to the body. Almost immediately, the design became an icon of American design. Today, these pieces not only live in museums, but continue to offer comfort and style to interiors everywhere. A universally recognised form, the set is available in a variety of veneers, multiple leather options, and two sizes.

Lounge Chair 670

The reknowned Lounge Chair 670 with Ottoman 671 by Charles & Ray Eames released in 1956 and still produced today by Vitra. The designers intended to combine the ultimate comfort with best craftsmanship the optimal lounge chair. They were inspired by the English club chair. It is a great chair but also rather bulky for a modern interior. Ray Eames supposedly mentioned this herself by calling it undesigny’. This particular resident solved it well by leaving plenty of space around it.

De bekende Lounge Chair 670 met Ottoman 671 van Charles & Ray Eames op de markt gebracht in 1956 en nog steeds in productie bij Vitra. De ontwerpers wilden een optimaal zitcomfort combineren met het beste vakmanschap voor de ultieme lounge stoel. Ze zijn daarbij geïnspireerd door de Engelse club fauteuil. Het is een fantastische stoel maar best wel lijvig voor een modern interieur. Ray Eames refereerde hier zelf ook aan door te stellen dat het er enigszins ondesignerig uitzag. Deze bewoner lost het goed op door de stoel alleen op het kleed te zetten en er verder voldoende ruimte omheen te laten.

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